INTERNACIONAL
Kennedy and Milei double down on WHO exit after meeting in Buenos Aires: ‘Free from totalitarian control’

U.S. Health and Human Services Secretary Robert F. Kennedy Jr. met with Argentine President Javier Milei on Tuesday at the Casa Rosada, where both leaders reaffirmed plans to withdraw their nations from the World Health Organization (WHO) and build a new international health framework.
The meeting brought together two strong-willed political outsiders. Milei, a libertarian economist known for cutting government spending, and Kennedy, a Trump-appointed health chief skeptical of pandemic-era mandates. Both promised to challenge what they call global overreach and politicized health policy.
Argentina officially confirmed its exit from the WHO during Kennedy’s visit, following Milei’s initial announcement in February. The move aligns with President Trump’s revived pledge to pull the U.S. out of the WHO as part of his «Make America Healthy Again» (MAHA) agenda.
FIERY RFK JR. FLOGS WHO FOR CAVING TO CHINA ON COVID, CELEBRATING PANDEMIC ‘FAILURES’ IN STUNNING VIDEO TO ORG
In this composite image, Argentine President Javier Milei and HHS Secretary RFK Jr. are visible above the World Health Organization (WHO) logo. Both Argentina and the U.S. have reaffirmed commitments to leave the WHO after a meeting in Buenos Aires this week. (Getty Images)
Milei’s government blasted the WHO for what it called a failed COVID response. «The WHO’s prescriptions do not work because they are not based on science but on political interests and bureaucratic structures that refuse to review their own mistakes,» the government said, referring to the group’s lockdown strategy as a «caveman quarantine.»
Kennedy offered support, encouraging other countries to also exit the WHO in a recent address to the World Health Assembly. He has argued the organization is compromised by foreign governments and corporate interests, and that a fresh approach is needed.
After the meeting, Kennedy posted on X: «I had a wonderful meeting with President Milei about the mutual withdrawal of our nations from the WHO and the creation of an alternative international health system… free from totalitarian impulses, corruption, and political control.»
Both governments say the new alliance will prioritize real science, individual freedom, and national sovereignty, pushing back against what Milei’s team calls «interference» from global agencies.
ARGENTINA’S MILEI SHUTS UP CRITICS WITH MIRACLE TURNAROUND OF ECONOMY, STRONG SECURITY POLICIES

U.S. and Argentine officials meet at the Casa Rosada in Buenos Aires, Argentina, on May 27, 2025. U.S. Health and Human Services Secretary Robert F. Kennedy Jr. (fourth from left) and Argentine President Javier Milei (center) discussed plans to exit the WHO and form a new global health alliance. A gold chainsaw sits on the conference table. (@SecKennedy via X)
The meeting also highlighted shared philosophies between the two leaders. Milei took office vowing to slash Argentina’s massive public spending. He famously carried a chainsaw during his campaign to symbolize budget cuts—and has since followed through, cutting public salaries, halting state projects, and ending energy subsidies.
His tough measures have produced results: Argentina posted its first budget surplus in nearly 15 years and sharply reduced monthly inflation.
Kennedy’s MAHA campaign echoes Milei’s anti-establishment style, but in the health sector. The Trump administration’s health agenda has focused on rolling back federal overreach, enforcing science-based policy, and promoting transparency in public health.

U.S. Health and Human Services Secretary Robert F. Kennedy Jr. and Argentine President Javier Milei pose with a yellow «Don’t Tread on Me» cap during a meeting at the Casa Rosada in Buenos Aires, Argentina, on May 27, 2025. Milei identifies his political philosophy as libertarian. (@SecKennedy via X)
Tuesday’s meeting marks a deeper alignment between Argentina and the current U.S. administration. Milei has welcomed top American officials in recent months and shown clear interest in building strong ties with Washington. Now, by joining the U.S. in rejecting the WHO, Milei becomes the first foreign leader to openly back Trump’s health sovereignty push.
The decision is a major departure from Argentina’s previous international partnerships and could signal a shift for other countries weighing similar moves. Both Milei and Kennedy have framed the initiative as the start of a more accountable and independent global health network.
Critics, including some in Argentina’s opposition, warn that leaving the WHO could limit access to funding and vaccines. Global health experts largely defend the WHO’s role, despite acknowledging its COVID missteps.
But Milei and Kennedy appear unfazed. Argentina’s health minister praised the shared «vision» between the two governments, emphasizing a joint commitment to transparency and reform.
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The U.S. Department of Health and Human Services did not immediately respond to Fox News Digital’s request for comment.
INTERNACIONAL
Vance touts Trump economy gains during North Carolina tour, cites rising home purchases

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ROCKY MOUNT, N.C. — Vice President JD Vance traveled to North Carolina and hosted an event Friday to tout the economy, advocate for Republicans to win elections in the Tar Heel State, and touch on the situation in Iran.
Vance was also joined by former RNC chairman and GOP Senate nominee Michael Whatley and Small Business Association Administrator Kelly Loeffler at a local event space.
«In just a very brief time, we’ve seen new home purchases rise to their highest level in five years,» Vance said. «Since the last time Donald Trump was president, we’ve seen the cost of rents drop for six months in a row.»
Vice President JD Vance traveled to Rocky Mount, N.C., where he touted recent economic gains and urged voters to support Republicans in the upcoming midterms. (Kent Nishimura/Getty Images)
«We’ve seen the average tax refund that’s going to come to the people of North Carolina, about $3,700 per family,» Vance added. «And we see interest rates that are the lowest they’ve been since the last time that Donald J. Trump was president.»
VANCE TELLS MINNEAPOLIS TO ‘STOP FIGHTING’ ICE AS WHITE HOUSE DOUBLES DOWN ON CRACKDOWN
Vance was introduced by Loeffler, the former Georgia senator whom Trump appointed to lead small business advocacy as head of the SBA last February.
«Together, we’re cleaning up massive, wasteful spending and the abuse of government programs,» Loeffler told the audience. «And you’ve seen that the fraud that sent your hard-earned tax dollars overseas and the Democrats open borders, defund the police agendas that invited violent crime into what should be safe communities, taking the lives of innocent victims like arenas.»
Vance addressed the situation in Iran, both to the crowd and in response to a question posed by an AP reporter. The vice president pointed to nuclear capability in Iran as the primary reason for the U.S. engagement.

An explosion after an Israeli airstrike in Beirut on Monday. (Hassan Ammar/AP Photo)
NC SENATE SHOWDOWN ESCALATES AS TRUMP RALLIES BEHIND WHATLEY TO KEEP GOP SEAT
«You all know that right now, we are engaged in a military operation to ensure, as the president has said repeatedly, that Iran can never have a nuclear weapon,» Vance said. «That is a simple, simple principle and standard. Frankly, every president. Has taken affirmative steps to ensure that Iran can never have a nuclear weapon.»
When asked what he advised the president before strikes began in Iran, Vance said he wasn’t giving out information from classified briefings in the situation room.
«I’m not going to show up here and in front of God and everybody else, tell you exactly what I said in that classified room, partially because I don’t want to go to prison, and partially because I think it’s important for the President of the United States to be able to talk to his advisers without those advisers running their mouth to the American media,» Vance explained.

President Donald J. Trump and Vice President Vance in The Situation Room. (The White House via X)
VANCE CALLS WALZ ‘A JOKE,’ CLAIMS MINNESOTA GOVERNOR ENABLED MASSIVE FRAUD
Vance also strongly advocated for Whatley’s campaign for senate, slamming his Democrat opponent and pushing for the GOP candidate in what will be a contentious and competitive election in November.
Whatley won the GOP primary in North Carolina to fill retiring Republican Sen. Thom Tillis’ seat, and now faces former Democratic Gov. Roy Cooper in the general election.
«Roy Cooper is one of these people who clearly cares way more for foreign countries than he does the United States of America,» Vance said. «You see the passion in his voice when he talks about protecting illegal aliens. You’ll never hear that passion when he’s talking about the people in this room.»

Michael Whatley is the GOP candidate for U.S. senate in North Carolina. (J. Scott Applewhite/AP Photo)
AFTER ROUGH 2025 ELECTIONS, TOP GOP HOPEFUL SAYS CONSERVATISM’S FUTURE RUNS THROUGH SOUND ECONOMIC MESSAGE
«You hear the passion in his voice when he talks about sending hundreds of billions of dollars to the war in Ukraine,» the vice president added.
A spokesperson for Cooper responded to Fox News Digital’s request for comment, blasting Whatley and denying claims he protects criminals.
«Roy Cooper is the only candidate who spent his career prosecuting violent criminals and keeping thousands of them behind bars as attorney general, and signing tough on crime laws and stricter pretrial release bail policy as governor,» the spokesperson told Fox. «DC insider and Big Oil lobbyist Michael Whatley is desperate to distract from his support for hundreds of millions in cuts to local law enforcement and public safety efforts that keep North Carolinians safe.»

Vice President JD Vance was in North Carolina on Friday. (Kent Nishimura/Getty Images)
Vance concluded the event after answering a question from Fox News Digital regarding progress made by a fraud task force that was launched in January under the Department of Justice and individual states he was planning to target, in addition to Minnesota.
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«We know there’s a lot of fraud in California, and we’re trying to get to the bottom of exactly what it looks like and what we’ve done in the Trump administration,» Vance said. «And the president has really empowered us to do this, is to take the first national look at the way the American people have been defrauded over many, many years.»
The vice president revealed that there was «at least» $19 billion in fraud uncovered in Minneapolis and the surrounding area under the Trump administration.
Preston Mizell is a writer with Fox News. Story tips can be sent to Preston.Mizell@fox.com and on X @MizellPreston
jd vance,north carolina,midterm elections,economy,politics,senate elections
INTERNACIONAL
Cómo es la isla de Kharg, la joya petrolera de Irán que Estados Unidos atacó en «uno de los bombardeos más poderosos de la historia»

La pregunta indiscreta que llegó del pasado y puso en aprietos a Trump antes del ataque a la isla de Kharg
INTERNACIONAL
Por qué Frida Kahlo es mucho más que una artista y cómo su rostro llegó a la cultura pop

La exposición “Frida: The Making of an Icon”, inaugurada en el Museo de Bellas Artes de Houston, explora cómo la vida y la imagen de Frida Kahlo trascendieron su obra artística para convertirse en un icono cultural global. Con más de 200 piezas inspiradas en la artista y la participación de ochenta creadores de diversos países, la muestra analiza el proceso que configuró la figura de Kahlo como símbolo de identidad, activismo y objeto de consumo internacional.
Frida Kahlo se convirtió en icono cultural mundial porque su historia, marcada por la discapacidad, el activismo político y una identidad singular, ha sido reinterpretada por movimientos sociales, colectivos culturales y artistas de distintas generaciones.
El fenómeno Kahlo, según la exposición en Houston, trasciende el arte, influyendo en debates sobre la representación, el consumo cultural y el legado latinoamericano desde una perspectiva internacional.

La biografía de Frida Kahlo estuvo marcada por desafíos personales y compromiso político. Nació en 1907 en la Casa Azul de Ciudad de México. Desde la infancia enfrentó secuelas físicas de la polio, a las que se sumaron lesiones permanentes tras un accidente de autobús a los 18 años. Integrante activa del Partido Comunista Mexicano, inició su carrera artística en ese entorno y mantuvo una relación compleja con el muralista Diego Rivera.
Durante su vida, el reconocimiento de Kahlo fue limitado, aunque expuso de forma individual en Nueva York y mantuvo contacto con figuras destacadas como André Breton y Georgia O’Keeffe. Tras su muerte en 1954, su visibilidad creció por biografías como las de Teresa del Conde y Raquel Tibol en los años 70, seguidas de exposiciones retrospectivas en México y Estados Unidos.

El impulso decisivo hacia el reconocimiento internacional llegó con la exposición itinerante “Frida Kahlo and Tina Modotti” en 1982 y la presentación de ocho obras en la muestra “México: Esplendores de treinta siglos” en 1990, detalló Artnet News.
A partir de 1968, la imagen de Kahlo fue adoptada como emblema de orgullo y resistencia cultural por el movimiento estudiantil mexicano. Posteriormente, colectivos como el movimiento chicano en Estados Unidos, el feminismo, el activismo LGBTQ+ y numerosos artistas contemporáneos reivindicaron su legado como fuente de inspiración y plataforma para nuevas formas de expresión.

La curadora Mari Carmen Ramírez explicó a Artnet News que “el legado de Frida ha sido acogido por todos estos grupos, tanto en México como en Estados Unidos”. Añadió que la exposición es una exploración inédita de cómo distintas comunidades han incorporado y transformado la figura de Kahlo.
La influencia de Kahlo está reflejada en la presencia de ochenta artistas de cinco generaciones, entre ellos Judy Chicago, Kiki Smith, Ana Mendieta, Guerrilla Girls, Miriam Schapiro y Carrie Mae Weems. Muchos de estos creadores, sin vínculo directo con el arte mexicano, reconocen la relevancia de la artista como referencia principal en su trabajo.

El magnetismo de Kahlo reside en su capacidad de crear diversas identidades a través del autorretrato. Ramírez sostiene que “ella creó muchas clases de identidades a través del autorretrato, lo que la convierte en un icono multifacético”, según recoge Artnet News.
La artista es celebrada por sus valores de diversidad, autodefinición y la ruptura de barreras de género, raza y sexualidad. Su imagen actúa como emblema de colectivos que buscan visibilizar causas sociales y denunciar injusticias.
El catálogo de la exposición subraya la versatilidad de Kahlo como mestiza, mujer bisexual, intelectual y activista. Esta multiplicidad le permitió moverse entre distintas esferas culturales y políticas, posibilitando la construcción de una leyenda que, en ocasiones, ha superado la valoración individual de su obra pictórica.

La universalidad de Kahlo ha derivado en una mercantilización ampliamente documentada. Su rostro aparece en productos comerciales, desde camisetas hasta bolsos y joyas, fenómeno calificado como “fridamanía” en la muestra.
Mari Carmen Ramírez advierte en Artnet News: “Lo más peligroso es la mercantilización y la comercialización de su imagen. Cuando ves su imagen en una toalla sanitaria, creo que la están rebajando a algo muy vulgar”.

La exhibición presenta más de 200 objetos inspirados en Kahlo, seleccionados entre más de 100.000 artículos detectados en plataformas digitales, lo que refleja la magnitud y los dilemas éticos de su explotación comercial.
Junto a las críticas, la muestra pone énfasis en el denominado “fenómeno Frida”, que aborda la intersección entre la creación de mitos y la cultura de consumo. En este terreno, la imagen pública de Kahlo eclipsa a menudo la consideración de su obra artística.

La dimensión colectiva y participativa del legado de Kahlo se aprecia en proyectos como “Everyone Can Be Frida” de la fotógrafa brasileña Camila Fontenele. Entre 2012 y 2020, Fontenele realizó 5.800 retratos de personas que recrean el estilo de Kahlo, sin distinción de edad, género u origen, evidenciando la universalidad de este icono cultural.
Estas obras tienen un papel central en la exposición y muestran cómo la figura de Kahlo permite que cualquier persona encuentre una fuente de identificación e inspiración.
La invitación de la muestra, según expresó la curadora Mari Carmen Ramírez a Artnet News, es pensar la figura de Frida Kahlo como un espacio abierto donde cualquiera puede descubrir formas propias de expresión y empoderamiento a través del arte.
Frida Kahlo
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