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Mamdani’s top incoming aide was ‘chief architect’ of radical proposal overhauling NYPD
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Zohran Mamdani’s latest hire to his incoming staff includes the mayor-elect’s long-time chief advisor, who has been dubbed the «chief architect» of Mamdani’s campaign proposal to have social workers respond to certain non-violent 911 calls in New York City.
The heavily criticized proposal was drummed up by the Ivy League-educated, California-native Elle Bisgaard-Church, a relative political newcomer affiliated with the Democratic Socialists of America (DSA). Bisgaard-Church was tapped by Mamdani Monday to once again be his chief adviser while running the helm at New York City’s City Hall after serving in the same post during his campaign and during his state assembly days.
Bisgaard-Church has been credited with being pivotal to getting Mamdani’s message to voters and campaign staff dub her the «chief architect» behind Mamdani’s Department of Community Safety proposal, according to CBS News.
When developing the Department of Community Safety proposal, which aims to replace police officers with mental health professionals to deal with non-life-threatening emergencies with a focus on subway stations, Bisgaard-Church reportedly spoke to mental health experts, public safety officials from other cities and former New York City Police Department (NYPD) Chief of Department Rodney Harrison. The new department will cost approximately $1.1 billion, according to a campaign proposal on Mamadani’s website.
TOP MAMDANI TRANSITION LEADER WAS HEAVILY INFLUENCED BY SOROS NETWORK DURING BIDEN ADMIN
Zohran Mamdani’s past anti-police rhetoric has forced him to publicly apologize for his past comments. (Nicolas Economou via Getty Images and Democratic Socialists of America)
In addition to leading Mamdani’s much-maligned Department of Community Safety proposal, Bisgaard-Church was a key player setting up weekly standing meetings with the New York City DSA chapter throughout the campaign to incorporate leadership from the groups that helped Mamdani win.
During a feature interview last month ahead of the looming mayoral election, the former student at private liberal arts Swarthmore College and the Ivy League’s Columbia University, compared her motivations to those of the DSA.
«I still feel daily, deeply ashamed to live in a place where we allow people to sleep on concrete at night … and I fundamentally believe it doesn’t have to be that way. It represents (a) political choice,» Bisgaard-Church told New York’s City & State. «The place where I have seen that shared sense of rage at such a moral failure has been in a handful of movement organizations, including New York City DSA.»
REPUBLICANS TARGET 2 KEY DEMOCRATIC RACES WITH MAMDANI CONNECTION STRATEGY
Members of the Democratic Socialists of America were brought on stage during a recent rally for New York City mayoral candidate Zohran Mamdani. The event was titled, «New York Is Not For Sale.» (Photo by Neil Constantine/NurPhoto via Getty Images)
It was apparently seeing five democratic-socialist candidates win their 2020 primaries in local races in Brooklyn and Queens that initially galvanized Bisgaard-Church to apply for a role on Mamdani’s team while he was a state representative, according to her City & State feature. It was a public affairs fellowship that initially brought her to the Big Apple, but Bisgaard-Church reportedly thought she would just end up working at some government agency after a couple stints at various nonprofits in Philadelphia and Washington, D.C.
Bisgaard-Church, who does not keep an active social media presence and infrequently comments in the media, gained a reputation of being relatively «low-profile» and has been credited with playing a major role in securing the DSA’s endorsement of Mamdani’s electoral campaign. Her history with the DSA includes helping form their legislative analysis team and helping form a guiding document for the group in 2021 about how the group should interact with elected leaders, according to City & State.
Zohran Mamdani, mayor-elect of New York, center, joined by members of his transition team, from left, Elana Leopold, transition executive director, Melanie Hartzog, transition co-chair, Maria Torres-Springer, transition co-chair, Grace Bonilla, transition co-chair, and Lina Khan, transition co-chair, speaks to members of the media at Flushing Meadows Corona Park in the Queens borough of New York on Wednesday, Nov. 5, 2025. (Adam Gray/Bloomberg via Getty Images)
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In comments following her appointment, Bisgaard-Church said it was «the honor of a lifetime» to lead Mamdani’s campaign, and is now ready to roll up her sleeves and deliver on Mamdani’s «affordability agenda» while «demonstrating what a well-run City Hall can do for everyday New Yorkers.»
Mamdani’s representatives did not respond to requests for comment from Fox News Digital.
zohran mamdani,police and law enforcement,new york city,nyc mayoral elections coverage,elections state and local,state and local
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Portland mayor demands ICE leave city after federal agents use tear gas on protesters ‘Sickening decisions’
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The mayor of Portland, Oregon, is calling on U.S. Immigration and Customs Enforcement (ICE) to leave his city after federal agents deployed tear gas at a crowd of demonstrators, including young children, outside an ICE facility over the weekend.
Mayor Keith Wilson characterized the protests on Saturday as peaceful, as federal agents reportedly used tear gas, pepper balls, flash-bang grenades and rubber bullets against the anti-ICE demonstrators.
Wilson urged ICE agents to resign and for the agency to leave Portland, denouncing their «use of violence» and the «trampling of the Constitution.»
«Today, federal forces deployed heavy waves of chemical munitions, impacting a peaceful daytime protest where the vast majority of those present violated no laws, made no threat, and posed no danger to federal forces,» he said in a statement on Saturday.
CHICAGO MAYOR BRANDON JOHNSON PUTS ICE ‘ON NOTICE’ WITH EXECUTIVE ORDER SEEKING PROSECUTION OF AGENTS
Mayor Keith Wilson characterized the protests in his city as peaceful, as he called for ICE to leave. (Ali Gradischer/Getty Images)
«To those who continue to work for ICE: Resign. To those who control this facility: Leave. Through your use of violence and the trampling of the Constitution, you have lost all legitimacy and replaced it with shame. To those who continue to make these sickening decisions, go home, look in a mirror, and ask yourselves why you have gassed children. Ask yourselves why you continue to work for an agency responsible for murders on American streets. No one is forcing you to lie to yourself, even as your bosses continue to lie to the American people,» the mayor continued.
The mayor added that this nation «will never accept a federal presence where agents wield deadly force against the very people they are sworn to serve.»
«I share the impatience with those who demand we use every legal tool at our disposal to push back against this inexcusable, unconscionable, and unacceptable violence against our community,» Wilson said. «I share the need to act. Actions that can withstand the scrutiny of the justice system take time – and we cannot afford to lose this fight.»
CBP/BORDER PATROL AGENTS PLACED ON ADMINISTRATIVE LEAVE AFTER DEADLY CONFRONTATION WITH ALEX PRETTI
Federal agents deployed tear gas at a crowd of demonstrators, including young children, outside an ICE facility in Portland. (Victor J. Blue/Bloomberg via Getty Images)
Portland officials are working to operationalize an ordinance, which went into effect last month, that imposes a fee on detention facilities that use chemical agents, the mayor said.
«As we prepare to put that law into action, we are also documenting today’s events and preserving evidence. The federal government must, and will, be held accountable,» he wrote.
«Portland will continue to stand firmly with our immigrant neighbors, who deserve safety, dignity, and the full protection of the communities they help build,» he continued. «We are also proud of the Portlanders who showed up today in peaceful solidarity, demonstrating the strength and clarity of those shared values in the face of federal overreach.»
This comes amid national unrest and bipartisan scrutiny of immigration enforcement tactics following two killings of U.S. citizens by federal immigration agents last month in Minneapolis.
The Trump administration has faced bipartisan scrutiny over its immigration enforcement tactics following two killings of U.S. citizens by federal immigration agents in Minneapolis. (Demetrius Freeman/The Washington Post via Getty Images)
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Renee Nicole Good was shot and killed by ICE agent Jonathan Ross on Jan. 7 in Minneapolis, and Alex Pretti was fatally shot on Jan. 24 by Border Patrol agent Jesus Ochoa and Customs and Border Protection officer Raymundo Gutierrez while he was recording immigration enforcement operations in the same city.
Pretti, an ICU nurse, appeared to be attempting to assist a woman agents had knocked down when he was sprayed with an irritant, pushed to the ground and beaten, according to video and witness accounts. An agent was later seen pulling Pretti’s lawfully owned firearm from his waistband before other agents fired several shots, killing him.
portland,oregon,us,donald trump,homeland security,kristi noem,us protests
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“As Nasty As They Wanna Be”: qué hay detrás del álbum más censurado en la historia del rap
En 1990, la industria musical de Estados Unidos vivió un hecho inédito: por primera vez, un álbum fue declarado “legalmente obsceno”. El protagonista de este episodio fue 2 Live Crew, un grupo de rap originario de Miami, cuyo tercer disco, As Nasty As They Wanna Be, no solo desató controversia por su contenido, sino que también reconfiguró los límites entre arte, moral y legalidad.
Formado en la década de los 80, 2 Live Crew se caracterizaba por sus letras explícitas, ritmos acelerados y una actitud desafiante que rompía con los códigos de la época. El grupo, liderado por Luther Campbell (conocido como Luke Skyywalker), ya era un referente del subgénero Miami bass, pero no fue hasta el lanzamiento de As Nasty As They Wanna Be, el 7 de febrero de 1989, que se convirtieron en un fenómeno nacional.
El disco, repleto de referencias sexuales y lenguaje explícito, fue el mayor éxito comercial de la banda y obtuvo la certificación de platino de la Recording Industry Association of America (RIAA).
La polémica que rodeó el álbum terminó de definir su lugar en la historia. “Con letras explícitas, ritmos provocadores y una actitud desfachatada, 2 Live Crew se metió directo en el ojo de la tormenta cultural”, señaló Indie Hoy.
La llegada al mercado de As Nasty As They Wanna Be coincidió con una creciente preocupación social e institucional por el contenido de la música popular, en especial el rap, que para muchos sectores conservadores representaba una amenaza para los valores tradicionales.
La controversia alcanzó su punto máximo en 1990, cuando un tribunal del distrito de Florida declaró a As Nasty As They Wanna Be como “legalmente obsceno”, un fallo sin precedentes en la historia de la música estadounidense. El disco, que ya incluía el clásico sello de advertencia parental, pasó a ser el primer álbum en recibir tal calificación jurídica.
Según el fallo, el contenido de las canciones era tan explícito que excedía los límites de la libertad artística y podía ser considerado un delito.
Dos días después de la sentencia, un vendedor de discos de Florida fue arrestado por vender una copia del álbum a un policía encubierto. “La detención convirtió a 2 Live Crew en leyenda. No por romper récords de ventas, sino por entrar a los libros de historia como los primeros músicos en ser procesados por el contenido lírico de su obra”, destacó Indie Hoy.
El impacto del proceso judicial fue inmediato. Figuras públicas, como David Bowie, manifestaron su apoyo a la libertad de expresión artística. Incluso académicos de renombre, como Henry Louis Gates Jr., testificaron a favor del grupo durante el juicio.
Este episodio no solo consolidó la fama de 2 Live Crew, sino que también abrió un debate sobre el papel del Estado frente a las expresiones culturales consideradas ofensivas o disruptivas.
El juicio contra 2 Live Crew no solo marcó un antes y un después en la industria del rap, sino que también sentó un precedente legal de alcance duradero. El disco, que representó el final de la relación del grupo con el sello Skyywalker Records —renombrado luego como Luke Records tras una demanda de George Lucas por el uso del nombre—, pasó a ser un símbolo de la lucha por la libertad artística en Estados Unidos.
La controversia en torno a As Nasty As They Wanna Be se inscribió en una larga tradición de enfrentamientos entre músicos y el sistema judicial. Casos como el arresto de Jim Morrison en 1969 en Miami por “exposición indecente”, el hostigamiento sufrido por Billie Holiday por interpretar “Strange Fruit” o la persecución política contra Fela Kuti en Nigeria por sus letras contestatarias muestran que el arte musical ha sido históricamente terreno de disputa y resistencia.
A pesar de la censura inicial y los problemas legales, el álbum de 2 Live Crew resistió el paso del tiempo como un recordatorio de los riesgos y desafíos que implica empujar los límites del discurso público. “Más allá del debate sobre el tono de sus letras, lo cierto es que su caso marcó un antes y un después en la relación entre música y legalidad”, concluyó Indie Hoy.
As Nasty As They Wanna Be no solo fue un éxito comercial, sino que se transformó en un punto de inflexión en la discusión sobre los límites de la libertad artística y la intervención estatal.
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