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US moves fast to reopen Venezuela embassy after yearslong freeze

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The U.S. will «very quickly» reopen its embassy in Venezuela and establish a diplomatic presence on the ground, according to Secretary of State Marco Rubio.
«We have a team on the ground there assessing it, and we think very quickly we’ll be able to open a U.S. diplomatic presence on the ground,» Rubio told members of the Senate Foreign Relations Committee Wednesday.
The goal, he said, would be not just to interact with officials on the ground but also «civil society and the opposition.»
Such a move would mean restoring diplomatic relations with Venezuela, which were broken off in 2019 when the U.S. embassy’s doors shuttered.
VENEZUELA’S DELCY RODRÍGUEZ SNAPS AT WASHINGTON, DECLARES ‘ENOUGH’ OF US INFLUENCE
The Trump administration has been in dialogue with Delcy Rodríguez, Nicolás Maduro’s former vice president whom U.S. officials describe as an interim leader, since the capture of the wanted Venezuelan dictator.
The U.S. will «very quickly» reopen its embassy in Venezuela and establish a diplomatic presence on the ground, according to Secretary of State Marco Rubio. (Nathan Howard/Reuters )
Reopening the embassy would require the U.S. to acknowledge a governing authority in Caracas, Venezuela, capable of receiving diplomats — a step that would mark a clear shift from Washington’s long-standing refusal to engage Venezuela’s executive.
The current Venezuelan leadership has «been very cooperative on that front,» Rubio said. «Obviously there’s been some hard asks along the way.»
Rubio said the administration is not seeking further military action in Venezuela but stressed that force has not been taken off the table.
«The president never rules out his options as commander in chief to protect the national interest of the United States,» Rubio told lawmakers, while emphasizing that the U.S. is «not postured to, nor do we intend or expect to have to take any military action in Venezuela at any time.»
Rubio also offered details about the first $500 million of the U.S.-brokered sale of Venezuelan oil, saying $300 million went back to Venezuela to pay for public services, while $200 million remains in a U.S.-run account.

U.S. Embassy in Caracas, Venezuela. Building of the diplomatic headquarters of the government of the United States in Venezuela, also works as a consulate for visa procedures. (Jimmy Villalta/Getty Images )
CIA DIRECTOR WAS IN VENEZUELA TO MEET WITH ACTING PRESIDENT DELCY RODRIGUEZ, OFFICIAL SAYS
He declined to share details on how long Rodríguez would remain in power, but said a diplomatic presence would help keep a check on the new government.
«I can’t give you a timeline of how long it takes. It can’t take forever,» Rubio said. «But it’s not even been four weeks.»
His comments come amid mixed signals from Venezuela’s interim leadership. In recent days, Rodríguez has struck a defiant tone toward Washington, declaring she had «enough» of U.S. influence in Venezuelan politics during a speech to oil workers broadcast on state television.
The remarks appeared aimed largely at a domestic audience, even as Venezuela remains constrained by U.S. sanctions and dependent on American decisions over oil licenses and revenue controls.

The Trump administration has been in dialogue with Delcy Rodríguez, whom U.S. officials describe as an interim leader, since the capture of the wanted Venezuelan dictator. (Leonardo Fernandez Viloria/Reuters)
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Rubio said the administration’s goal is to push Venezuela toward a democratic transition, describing the Maduro regime as «a base of operation for virtually every competitor, adversary and enemy in the world.»
He said the U.S. is aiming for a «friendly, stable, prosperous Venezuela and democratic… with free and fair elections,» while acknowledging the process will take time.
Pressed on corruption concerns, Rubio said an audit mechanism is being established.
«The audit will be on,» he told senators, stressing that spending would be restricted to approved public needs.
marco rubio,secretary of state,venezuelan political crisis
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Portland mayor demands ICE leave city after federal agents use tear gas on protesters ‘Sickening decisions’

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The mayor of Portland, Oregon, is calling on U.S. Immigration and Customs Enforcement (ICE) to leave his city after federal agents deployed tear gas at a crowd of demonstrators, including young children, outside an ICE facility over the weekend.
Mayor Keith Wilson characterized the protests on Saturday as peaceful, as federal agents reportedly used tear gas, pepper balls, flash-bang grenades and rubber bullets against the anti-ICE demonstrators.
Wilson urged ICE agents to resign and for the agency to leave Portland, denouncing their «use of violence» and the «trampling of the Constitution.»
«Today, federal forces deployed heavy waves of chemical munitions, impacting a peaceful daytime protest where the vast majority of those present violated no laws, made no threat, and posed no danger to federal forces,» he said in a statement on Saturday.
CHICAGO MAYOR BRANDON JOHNSON PUTS ICE ‘ON NOTICE’ WITH EXECUTIVE ORDER SEEKING PROSECUTION OF AGENTS
Mayor Keith Wilson characterized the protests in his city as peaceful, as he called for ICE to leave. (Ali Gradischer/Getty Images)
«To those who continue to work for ICE: Resign. To those who control this facility: Leave. Through your use of violence and the trampling of the Constitution, you have lost all legitimacy and replaced it with shame. To those who continue to make these sickening decisions, go home, look in a mirror, and ask yourselves why you have gassed children. Ask yourselves why you continue to work for an agency responsible for murders on American streets. No one is forcing you to lie to yourself, even as your bosses continue to lie to the American people,» the mayor continued.
The mayor added that this nation «will never accept a federal presence where agents wield deadly force against the very people they are sworn to serve.»
«I share the impatience with those who demand we use every legal tool at our disposal to push back against this inexcusable, unconscionable, and unacceptable violence against our community,» Wilson said. «I share the need to act. Actions that can withstand the scrutiny of the justice system take time – and we cannot afford to lose this fight.»
CBP/BORDER PATROL AGENTS PLACED ON ADMINISTRATIVE LEAVE AFTER DEADLY CONFRONTATION WITH ALEX PRETTI

Federal agents deployed tear gas at a crowd of demonstrators, including young children, outside an ICE facility in Portland. (Victor J. Blue/Bloomberg via Getty Images)
Portland officials are working to operationalize an ordinance, which went into effect last month, that imposes a fee on detention facilities that use chemical agents, the mayor said.
«As we prepare to put that law into action, we are also documenting today’s events and preserving evidence. The federal government must, and will, be held accountable,» he wrote.
«Portland will continue to stand firmly with our immigrant neighbors, who deserve safety, dignity, and the full protection of the communities they help build,» he continued. «We are also proud of the Portlanders who showed up today in peaceful solidarity, demonstrating the strength and clarity of those shared values in the face of federal overreach.»
This comes amid national unrest and bipartisan scrutiny of immigration enforcement tactics following two killings of U.S. citizens by federal immigration agents last month in Minneapolis.

The Trump administration has faced bipartisan scrutiny over its immigration enforcement tactics following two killings of U.S. citizens by federal immigration agents in Minneapolis. (Demetrius Freeman/The Washington Post via Getty Images)
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Renee Nicole Good was shot and killed by ICE agent Jonathan Ross on Jan. 7 in Minneapolis, and Alex Pretti was fatally shot on Jan. 24 by Border Patrol agent Jesus Ochoa and Customs and Border Protection officer Raymundo Gutierrez while he was recording immigration enforcement operations in the same city.
Pretti, an ICU nurse, appeared to be attempting to assist a woman agents had knocked down when he was sprayed with an irritant, pushed to the ground and beaten, according to video and witness accounts. An agent was later seen pulling Pretti’s lawfully owned firearm from his waistband before other agents fired several shots, killing him.
portland,oregon,us,donald trump,homeland security,kristi noem,us protests
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“As Nasty As They Wanna Be”: qué hay detrás del álbum más censurado en la historia del rap

En 1990, la industria musical de Estados Unidos vivió un hecho inédito: por primera vez, un álbum fue declarado “legalmente obsceno”. El protagonista de este episodio fue 2 Live Crew, un grupo de rap originario de Miami, cuyo tercer disco, As Nasty As They Wanna Be, no solo desató controversia por su contenido, sino que también reconfiguró los límites entre arte, moral y legalidad.
Formado en la década de los 80, 2 Live Crew se caracterizaba por sus letras explícitas, ritmos acelerados y una actitud desafiante que rompía con los códigos de la época. El grupo, liderado por Luther Campbell (conocido como Luke Skyywalker), ya era un referente del subgénero Miami bass, pero no fue hasta el lanzamiento de As Nasty As They Wanna Be, el 7 de febrero de 1989, que se convirtieron en un fenómeno nacional.
El disco, repleto de referencias sexuales y lenguaje explícito, fue el mayor éxito comercial de la banda y obtuvo la certificación de platino de la Recording Industry Association of America (RIAA).
La polémica que rodeó el álbum terminó de definir su lugar en la historia. “Con letras explícitas, ritmos provocadores y una actitud desfachatada, 2 Live Crew se metió directo en el ojo de la tormenta cultural”, señaló Indie Hoy.
La llegada al mercado de As Nasty As They Wanna Be coincidió con una creciente preocupación social e institucional por el contenido de la música popular, en especial el rap, que para muchos sectores conservadores representaba una amenaza para los valores tradicionales.
La controversia alcanzó su punto máximo en 1990, cuando un tribunal del distrito de Florida declaró a As Nasty As They Wanna Be como “legalmente obsceno”, un fallo sin precedentes en la historia de la música estadounidense. El disco, que ya incluía el clásico sello de advertencia parental, pasó a ser el primer álbum en recibir tal calificación jurídica.
Según el fallo, el contenido de las canciones era tan explícito que excedía los límites de la libertad artística y podía ser considerado un delito.
Dos días después de la sentencia, un vendedor de discos de Florida fue arrestado por vender una copia del álbum a un policía encubierto. “La detención convirtió a 2 Live Crew en leyenda. No por romper récords de ventas, sino por entrar a los libros de historia como los primeros músicos en ser procesados por el contenido lírico de su obra”, destacó Indie Hoy.
El impacto del proceso judicial fue inmediato. Figuras públicas, como David Bowie, manifestaron su apoyo a la libertad de expresión artística. Incluso académicos de renombre, como Henry Louis Gates Jr., testificaron a favor del grupo durante el juicio.
Este episodio no solo consolidó la fama de 2 Live Crew, sino que también abrió un debate sobre el papel del Estado frente a las expresiones culturales consideradas ofensivas o disruptivas.

El juicio contra 2 Live Crew no solo marcó un antes y un después en la industria del rap, sino que también sentó un precedente legal de alcance duradero. El disco, que representó el final de la relación del grupo con el sello Skyywalker Records —renombrado luego como Luke Records tras una demanda de George Lucas por el uso del nombre—, pasó a ser un símbolo de la lucha por la libertad artística en Estados Unidos.
La controversia en torno a As Nasty As They Wanna Be se inscribió en una larga tradición de enfrentamientos entre músicos y el sistema judicial. Casos como el arresto de Jim Morrison en 1969 en Miami por “exposición indecente”, el hostigamiento sufrido por Billie Holiday por interpretar “Strange Fruit” o la persecución política contra Fela Kuti en Nigeria por sus letras contestatarias muestran que el arte musical ha sido históricamente terreno de disputa y resistencia.
A pesar de la censura inicial y los problemas legales, el álbum de 2 Live Crew resistió el paso del tiempo como un recordatorio de los riesgos y desafíos que implica empujar los límites del discurso público. “Más allá del debate sobre el tono de sus letras, lo cierto es que su caso marcó un antes y un después en la relación entre música y legalidad”, concluyó Indie Hoy.
As Nasty As They Wanna Be no solo fue un éxito comercial, sino que se transformó en un punto de inflexión en la discusión sobre los límites de la libertad artística y la intervención estatal.
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