El presidente iraní, Masoud Pezeshkian, afirmó que su país está dispuesto a que haya una verificación de que no busca dotarse de armas atómicas, coincidiendo con el ciclo de negociaciones con Estados Unidos sobre el programa nuclear.

«No estamos buscando en absoluto tener armas nucleares», declaró Pezeshkian en una entrevista publicada este martes. «Si alguien quiere verificarlo, estamos dispuestos a que se lleve a cabo dicha verificación».

Irán y Estados Unidos mantuvieron este martes unas breves negociaciones, en las que no hablaron directamente, sino que se intercambiaron mensajes a través de Omán, en su papel de mediador, y tras las cuales la vía diplomática se mantiene abierta en la búsqueda de un acuerdo sobre el programa nuclear iraní.

Al término del encuentro, el ministro de Exteriores de Irán, Abás Araqchí, declaró que se había logrado «un buen progreso respecto a la sesión anterior» (hace veinte días), que en esta ocasión el ambiente fue «más constructivo” e incluso se refirió a avances sobre «una serie de principios rectores», según los cuales se redactará un posible borrador de acuerdo.

«Tenemos una decisión más clara sobre qué acciones deben tomarse», declaró, sin ofrecer detalles de lo conversado.

Más optimismo aún mostró el ministro de Asuntos Exteriores de Omán, Badr bin Hamad al Busaidi, que hizo de mediador y quien habló de «buenos avances» en la identificación de «objetivos comunes» y de «cuestiones técnicas relevantes».

A través de una declaración por redes sociales, el ministro omaní también se refirió a los esfuerzos que se hicieron para definir los principios a los que se refirió su homólogo iraní, aclarando siempre que queda mucho camino por andar y que habrá otra reunión próximamente.

La figura del director general del Organismo Internacional de la Energía Atómica (OIEA), Rafael Grossi, tomó relevancia en esta segunda ronda de las negociaciones, que se reanudaron tras los ataques de Estados Unidos contra tres instalaciones nucleares iraníes el pasado junio, en una operación conjunta con Israel.

Grossi, quien es candidato a ser secretario general de la ONU, se reunió el lunes con Araqchí, y hoy mismo lo hizo con la delegación estadounidense, que han liderado el enviado especial de la Casa Blanca, Steve Witkoff; y Jared Kushner, yerno del presidente Donald Trump.

En una comparecencia horas después en la Conferencia de Desarme de la ONU, reunida en la sede europea de la organización en Ginebra, Araqchí ofreció algunas claves de lo abordado con Grossi cuando, tras denunciar los ataques estadounidenses de mediados de 2025, dijo que en la actualidad «no existen modalidades» que hagan posible la inspección de las instalaciones afectadas por parte de la OIEA.

«Esas instalaciones requieren un marco acordado mutuamente entre Irán y la agencia. Esto es algo en lo que estamos trabajando», reveló el ministro en ese momento y mostró la disposición de Irán a responder a algunas de las exigencias de Estados Unidos.

Aunque no se sabe con certeza en qué condiciones se encuentran esas plantas, informes de organismos internacionales apuntan a que sufrieron daños significativos.

Sin embargo, durante la jornada también hubo mensajes duros -implícitos y explícitos- de Irán con respecto a Estados Unidos, a su forma de negociar y a sus exigencias, al tiempo que le recomendó actuar con prudencia en relación a sus amenazas de atacar militarmente si el régimen iraní no se pliega a sus exigencias.

A este respecto, Araqchí dijo en la ONU que en caso de que EE.UU. le agreda, su respuesta «no se limitará a sus fronteras», mientras que desde Teherán se anunciaba el cierre durante varias horas para maniobras navales de partes del estrecho de Ormuz, una vía marítima muy importante geopolítica y comercialmente.

Trump ha manifestado su interés por resolver la cuestión nuclear iraní -tras señalar que estaría involucrado a distancia en las negociaciones de hoy-, en particular después de la violenta represión armada de las manifestaciones multitudinarias que tuvieron lugar en las primeras semanas de este año en Irán y en las que murieron miles de personas.

Estados Unidos junto con los otros cuatro países del Consejo de Seguridad de la ONU, más Alemania, alcanzó en 2015 un acuerdo sobre el programa nuclear iraní, el cual establecía medidas para garantizar que se adecuara únicamente a fines civiles a cambio del alivio de sanciones, pero Trump retiró a su país del mismo en 2018, durante su primer mandato.

Former President Barack Obama’s presidential center in Chicago is again coming under scrutiny for its architectural design — this time leaving locals scratching their heads over confusing text wrapped around the top of the building. 

«I’m outside the Obama Center museum tower right now,» Chicago Sun-Times architecture critic Lee Bay posted to X Monday, sparking a deluge of mockery from locals and conservatives. 

«The new letters — an excerpt from Obama’s Selma speech — are tough read to me, giving off the lorem ipsum vibes,» he added, referring to placeholder «dummy» text frequently used in graphic design templates to fill space with scrambled Latin.

Obama’s presidential center — which includes a library, athletic facilities, a museum and more — is slated to open in June after years of delays that included lawsuits and federal reviews of opening the 20-acre campus on Chicago’s South Side. 

OBAMA PRESIDENTIAL CENTER SLAMMED FOR PROMOTING ‘FAR-LEFT’ AGENDA ON PUBLIC LAND

The construction includes a 225-foot museum tower with the text of Obama’s 2015 speech in Selma, Alabama, marking the 50th anniversary of Bloody Sunday, when civil rights demonstrators were met with violent resistance from local law enforcement in a watershed moment that helped galvanize support for the 1965 Voting Rights Act. 

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The text of Obama’s speech, inscribed on the upper echelon of the tower, reads: «You are America. Unconstrained by habit and convention. Unencumbered by what is, ready to seize what ought to be. For everywhere in this country, there are first steps to be taken, there is new ground to cover, there are more bridges to be crossed. America is not the project of any one person. The single most powerful word in our democracy is the word ‘We.’ ‘We The People.’ ‘We Shall Overcome.’ ‘Yes We Can.’ That word is owned by no one. It belongs to everyone. Oh, what a glorious task we are given to continually try to improve this great nation of ours.»

Critics of the building had a field day on X in response to the building update, including one user comparing it to a «Klingon prison» in a nod to «Star Trek,» while others lampooned the alleged inability to read the text of the building. 

«What don’t you understand about,» Targeted Victory vice president Logan Dobson posted. «YOU ARE AMERICA ED BY HABILAND UNENCUMBERED ADY TO SEIZE WE,» he continued, mocking the confusing lay out of the text. 

OBAMA PRESIDENTIAL CENTER BREAKS SILENCE OVER CONTROVERSIAL BUILDING DESIGN

Former President Barack Obama’s presidential center in Chicago is facing mounting scrutiny over a speech inscription on the building that has left viewers confused.  (Jeff Swensen/Getty Images)

«The dyslexic in me is not amused,» journalist and columnist Salena Zito posted. 

«He put his own speech on the outside of his library?» one user posted. «Find yourself someone who loves you like Obama loves himself.» 

«I gave up after developing a headache three lines from the top,» one user posted. 

PROTESTERS RAGED, CRITICS MOCKED — NOW OBAMA SAYS HIS LIBRARY’S ACTUALLY OPENING

«It looks like a WW2-era German anti-aircraft tower,» another posted. 

Former First Lady Michelle Obama gives her remarks during the groundbreaking ceremony of the Obama Presidential Center in Chicago, Sept. 28, 2021. (Sebastian Hidalgo/Reuters)

«I noticed when I was in the air that the sentences wrap around the west and south sides of the building, and looks decent in a very specific spot on the ground or very good from the air…but like that’s not an ideal design in my opinion,» a Chicago photojournalist posted to X. 

Other users didn’t take issue with the campus itself, but remarked how the construction is gentrifying the South Side. 

«It actually does look good,» one user posted. «Love or hate the guy, at least the presidential library will have a nice park for people to walk through. I get the whole blue vs red thing. But right now the main problem seems to be the gentrification and house price increases in the neighbourhood.»

The main tower of the Obama Presidential Center rises above Jackson Park in Chicago as construction continues on the privately run campus. (Fox 32 Chicago)

The text inscription was preparing for installation at the end of 2025, according to the Obama Foundation’s website. 

«At the Museum Building, crews are preparing support structures ahead of the installation of screen text taken from President Obama’s speech «You Are America,» which marked the 50th anniversary of the Selma to Montgomery marches,» the Obama Foundation said in its year-end recap on construction for 2025. 

The Obama Foundation has celebrated the center repeatedly since it was first announced more than a decade ago, describing it ahead of its opening as «a lively community hub, economic anchor, and beacon of democracy right here on the South Side of Chicago.»

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The campus has come under scrutiny from locals over gentrification concerns and over its Brutalist-style of architecture, a post-war-era style popularized in the 1950s known for its modular and minimalist designs. For locals in Chicago, they’ve dubbed the building the «The Obamalisk,» according to the New York Post, in a jab at the Brutalist-inspired design. 

Fox News Digital reached out to the Obama Foundation for additional comment Tuesday morning. 

Paris and Milan-Cortina delivered two sharply different Olympic spectacles, one that ignited culture-war backlash and another that leaned into heritage and national pride, a contrast some observers say mirrors the political paths of Emmanuel Macron and Giorgia Meloni.

Olympic opening ceremonies rank among the world’s most-watched cultural broadcasts, making them powerful stages for nations to project how they see themselves and how they want to be seen. «Paris tried to reinterpret tradition. Milan showcased tradition,» Hugh Dugan, an Olympic Truce advocate and former U.S. diplomat, told Fox News Digital, framing the contrast between the ceremonies as part of a broader debate over the role of culture, politics and identity in the Games.

Dugan described the 2024 Paris ceremony as «a deliberately disruptive, decentralized, urban spectacle… visually bold but polarizing,» built around a narrative collage of modern France, diversity and reinterpretation of history. He said choreography and costuming «often carried explicit social commentary,» fueling debate over whether parts of the ceremony were intentionally provocative or ideologically driven.

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The 2024 Paris opening ceremony, staged along the Seine, sparked controversy after a segment widely interpreted as referencing Leonardo da Vinci’s «Last Supper» drew criticism from Christian groups and conservative commentators before organizers clarified the intent and apologized for any offense. 

The moment became a flashpoint in France’s wider culture-war debate over identity, religion and the meaning of public symbolism. The Conversation reported that the ceremony triggered a national discussion over «woke ideology» and France’s cultural direction.

Some of the performers who appeared in the Last Supper depiction in the 2024 Paris Olympics opening ceremony. (Tingshu Wang/Reuters)

Emma Schubart, a research fellow at the U.K.-based Henry Jackson Society, told Fox News Digital, «The Olympics have become a stage for cultural politics as much as sport.»

She continued, «President Emmanuel Macron’s France leaned into progressive, ‘woke’ politics and post-national symbolism, while Prime Minister Giorgia Meloni’s Italy emphasized heritage, tradition and unapologetic national pride. These aesthetic choices reflect a widening divide over Europe’s cultural and political future.»

Flagbearers Arianna Fontana and Federico Pellegrino of Team Italy walk in the parade during the opening ceremony of the Winter Olympics at San Siro Stadium on Feb. 6, 2026, in Milan, Italy. (Maja Hitij/Getty Images)

Dugan praised the Italian games, saying the Milan-Cortina Winter Games ceremony highlighted «tradition, harmony, co-existence and the Olympic truce,» emphasizing heritage, landscapes and the athlete procession over political messaging. He called the Italian approach «panoramic, heritage-driven, classical,» compared with Paris’ «maximalist, narrative-driven, experimental» style.»

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Italian Prime Minister Giorgia Meloni attends the Inauguration ceremony of the Olympic Torch Relay for the Milan-Cortina Winter Olympic Games at the Quirinale Palace, on Dec. 5, 2025, in Rome. (Antonio Masiello/Getty Images)

Reporting on the Milan ceremony described it as a unity-focused event celebrating Italian culture, design and scenery while pushing past pre-Games tensions and highlighting the Olympic ideal of connection and peace. Coverage emphasized tradition and spectacle rather than ideological symbolism, with performances rooted in classical imagery and national identity.

Dugan, who recently launched a Truce Compliance Index tracking how countries observe the tradition, argued the difference reflected two distinct philosophies about what Olympic ceremonies should represent.

Italian actress Matilda De Angelis performs during the Winter Olympics opening ceremony in Milan, Italy, Friday, Feb. 6, 2026. (AP Photo/Ben Curtis)

Paris leaned into modern identity and pluralism, he said, presenting an ambitious cultural narrative that some audiences found bold while others viewed it as politically charged. Milan, by contrast, centered its message on timeless themes tied to heritage, human connection and the Olympic truce.

French President Emmanuel Macron, right, waves during the opening ceremony of the Olympic Games on July 26, 2024, in Paris. (Christian Liewig-Corbis/Corbis via Getty Images)

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The contrast between the ceremonies highlights a broader evolution of the Olympics themselves. Host nations increasingly use opening ceremonies to project national identity and values, whether through modern reinterpretation or traditional symbolism.