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Some of Maine Democratic Senate candidate Graham Platner’s ex-girlfriends spoke out in a damning report Thursday, which chronicled new allegations of rape fantasies, heavy drinking and violent episodes.

Platner continues to be under fire for a chest tattoo called the Totenkopf, used by Nazi death camp guards, alleged sexting of younger women and publicly finding humor in a Taliban attack that nearly killed former Pennsylvania lieutenant gubernatorial candidate Teddy Daniels.

One of his ex-girlfriends, Lyndsey Fifield, told the New York Times the two met in 2013 when he was a George Washington University student and she was with the U.S. Chamber of Commerce with a growing presence in conservative circles.

Fifield recounted how Platner would poke fun at his chest tattoo of a Totenkopf — an emblem used by Nazi death camp guards.

Fifield told the paper that Platner explained he and other members of his military unit chose it because of parallels between them and the Schutzstaffel — in that «they were a death unit… killers,» which appears to contradict his narrative that he did not know the tattoo was associated with the Nazi emblem.

DEMOCRATIC MAINE SENATE CANDIDATE GRAHAM PLATNER CONFRONTED BY MS NOW HOST ABOUT TATTOO CONTROVERSY

She also recalled how the oyster farmer and veteran would sharpen an ax while watching television and ruminate about raping home invaders.

«He said this a lot: If anybody ever broke in here, I would rape them,» but not in a sexual or «gay» way, Fifield said, adding that Platner stated he would want to instead impose dominance over them through penetration and that he believed rape was about power.

She also described a public encounter where Platner purportedly pulled her out of a taxi by her wrist during an altercation.

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Platner, who has acknowledged his battle with Post-Traumatic Stress Disorder from his time in the military, told Fox News Digital that he has «been open about what was a very dark period of my life where I struggled with undiagnosed PTSD.»

«Throughout this campaign, I’ve been open about what was a very dark period of my life where I struggled with undiagnosed PTSD, too often self-medicated with alcohol, and was a far from perfect boyfriend,» Platner said in a statement to Fox News Digital.

«I take responsibility for all of that, and wish I had been better. Any characterization beyond that is false, and I believe, politically motivated,» he added. «I’m not proud of who I was then, but I am proud of the work I’ve done since, and the movement we are building in Maine.»

Fifield recounted another incident when Platner reportedly pushed her into a bedroom and held the door shut. She later was able to leave after falling asleep and waking after some time had passed.

SENATE CANDIDATE GRAHAM PLATNER SENT EXPLICIT TEXTS TO MULTIPLE WOMEN WHILE MARRIED, WIFE SAYS: REPORT

Besides the rape visualizations, Platner would «fantasize about killing people he deemed a threat,» according to the Times’ conversation with Fifield – who declined to comment for purposes of this article.

Fifield added that in addition to the ax which he had from prior work bushwacking on the Appalachian Trail, Platner kept an AR-15 in his Capitol Hill home. The firearm type is currently prohibited in the District of Columbia, but that law is under legal challenge from the Trump Justice Department.

Of Fifield’s allegations, Platner’s campaign pointed to her conservative-leaning politics and called her a «lifelong GOP operative who’s dedicated her career to electing Republicans.»

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In turn, Fifield, who previously worked at the Heritage Foundation and briefly worked on Nikki Haley’s presidential campaign, among other conservative jobs, said she is not affiliated with Sen. Susan Collins, R-Maine; the five-term incumbent Platner is challenging.

Another woman, Jenny Racicot, is a fellow Maine Democrat who was in an «off-and-on» relationship with Platner between 2019 and 2021, according to the Times.

She told the paper some of Platner’s controversial Reddit posts hardened her view that he has issues with women.

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«I recognized a version of him that I had experiences with,» she said.

Another Maine Democrat who he dated declined to have her name published by the Times and said Platner would at times drink heavily, and that her role in the relationship seemed like «collateral damage to the world that is his.»

The Republican National Committee said the report appears to be nothing new in the cadence of scandals facing the Democratic challenger.

WATCH: SCANDAL-PLAGUED PLATNER DODGES QUESTIONS BEFORE DC MEETING WITH DEMOCRATS

Maine Senate candidate Graham Platner has centered his campaign on progressive economic policies, including higher taxes on billionaires and expanded tax relief for working-class Americans. (Sophie Park/Getty Images)

«Every day brings another deeply disturbing revelation about Graham Platner,» spokeswoman Delanie Bomar said.

«If he’s willing to do this to his own girlfriend, imagine what he’s willing to do in a position of political power. Maine voters deserve to know why Democrats are willing to excuse this deranged behavior,» said Bomar.

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«If Chuck Schumer and national Democrats don’t distance themselves from Platner, they’ll be forced to answer for his behavior every day from now until Election Day,» she continued.

Fox News Digital also reached out to Collins, Gov. Janet Mills, Senate Republicans’ campaign arm, Senate Democrats’ campaign arm, and Maine House Speaker Ryan Fecteau, D-Old Orchard Beach; the legislature’s top Democrat, for comment.

El inesperado regreso de los pantalones bombachos lidera la moda primavera-verano 2026 en el hemisferio norte, pero detrás de esta tendencia hay una historia profunda de reivindicación femenina y transformación cultural.

Los pantalones bombachos, originarios del Oriente, se han convertido en un símbolo feminista desde su llegada a Europa hasta su resurgimiento actual.

A lo largo de los siglos, esta prenda ha representado apropiación cultural, poder femenino y cambio social, factores que explican su vigencia más allá de la moda, según destaca Vogue.

La fascinación europea por las culturas orientales se intensificó desde el siglo XVII, convirtiendo al imperio otomano en fuente de inspiración. En la corte de Versalles, la marquesa de Pompadour adoptó el “traje a la turca”, apareciendo en retratos con turbante y pantalones bombachos como símbolo de autonomía.

Otras figuras francesas, como la condesa de Vergennes y la bailarina Rosalie Duthé, también siguieron esta tendencia. En Inglaterra, Lady Mary Wortley Montagu describió a su hermana desde Estambul: “La primera parte de mi vestido consiste en unos bombachos muy amplios que llegan hasta los zapatos, y cubren las piernas con mayor modestia que tus enaguas”.

El auge del orientalismo, alimentado por obras literarias como “Las mil y una noches” y las “Cartas persas” de Montesquieu, introdujo una nueva visión de la feminidad en la moda y el arte. Los pantalones bombachos adquirieron entonces un papel relevante en la cultura europea, cruzando fronteras y resignificando su simbolismo.

En el siglo XIX, los pantalones bombachos se asociaron estrechamente con la lucha por los derechos de la mujer. Amelia Bloomer, editora de The Lily, popularizó en Estados Unidos esta prenda, luego llamada “bloomers”, e insistió en su vínculo con el activismo femenino y la comodidad.

Al adoptar el “nuevo vestido” inspirado en Elizabeth Cady Stanton, Bloomer narró: “En cuanto se supo que llevaba el nuevo vestido, recibí cientos de cartas de mujeres de todo el país preguntando por él y pidiendo patrones, lo que demostraba lo dispuestas y ansiosas que estaban por deshacerse de las polleras largas y pesadas”, relató al medio citado.

Las burlas y la crítica fueron constantes, pero activistas y universitarias mantuvieron los bombachos en el vestuario cotidiano. Bloomer compartió: “Me resultaba cómodo, ligero, fácil y práctico. Se adaptaba a las necesidades de mi ajetreada vida […] así que no permití que las burlas o la censura me afectaran”.

Con la expansión del deporte femenino, los bombachos se popularizaron en actividades como golf, tenis y ciclismo. La bicicleta tuvo un impacto especial, facilitando el uso de esta prenda y simbolizando la libertad femenina.

Vogue ya recomendaba en 1895: “Los pantalones o bombachos deben ser del mismo material que la falda. La característica más importante de la falda para montar en bicicleta es su escasa amplitud […] así se consigue una silueta menos aparatosa”.

Un informe citado por el medio citado afirmaba que la prenda “ha contribuido más a la emancipación de nuestro sexo que cualquier conferencia, artículo periodístico o libro denso”.

En el siglo XX, la influencia orientalista resurgió en la moda. El diseñador Paul Poiret llevó los bombachos a la alta costura, inspirado por los Ballets Rusos tras su llegada a París en 1909.

Aparecieron nombres como jupe-culotte (“pantalón-falda”), robe-pantalon (“vestido-pantalón”) o “pantalones harem” (pantalones bombachos), denominación occidentalizada que permanece hasta hoy.

En los años 60 y 70, la diseñadora Thea Porter la incluyó en las colecciones bohemias, fusionando referencias de Oriente Medio y moda europea.

A mediados de las siguientes décadas, Yves Saint Laurent consolidó los bombachos como prenda icónica. Durante los años 70 y 1980, permanecieron en las pasarelas, en versiones maximalistas de estampados y texturas.

La diversidad de versiones actuales —incluyendo opciones como capri y shorts— demuestra su adaptabilidad y permanencia. El regreso de los bombachos no solo señala una tendencia, sino que resume siglos de lucha, transformación y autoafirmación femenina.

La historia de los pantalones bombachos ilustra cómo una prenda puede desafiar convenciones y abrir posibilidades para nuevas formas de autonomía. En cada época, vestir bombachos ha sido reivindicar evolución y libertad, como recuerda Vogue.